Jared K. Faulkner destabilizes the image. Christian Frontera destabilizes the object.

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One works through painting that is structured, interrupted, stitched, reconstructed and pushed against its own coherence. The other builds through found material, irrational association, visible fasteners, damage, reuse and construction that refuses to behave politely.

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WHAT STILL HOLDS brings those practices into the Great Union Hall without forcing them into agreement.

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The question remains open.

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Something changes.
Something breaks.
Something still holds.